The New York Times decision to publish graphic images of victims of
Tuesday’s terror attack at Dusit D2 Hotel in Nairobi and the backlash it has engendered online
have sparked furious debates about everything from the perceived racism of the
foreign press, to media ethics and the limits of press freedom.
Many shades of opinion have been expressed with some seeing the
photographs and the NYT’s refusal to take them down as a continuation of
violence against the victims and their families, and as evidence of racist
double-standards in the reporting on terrorist atrocities. Others have opposed the
torrent of personal abuse and calls
for deportation visited on incoming NYT bureau chief, Kimiko de Freytas-Tamura
following her initial
tone-deaf and seemingly dismissive responses to complaints on social
media. Now threats by the state in the guise
of the Media Council of Kenya to revoke or suspend her and her colleagues’
media accreditation if the Times did not remove the images and issue an
unconditional apology have also opened up a regulatory can of worms.
Photographs of deceased victims of terror attacks strike a particularly
sensitive chord in Kenya and it is not just the foreign media that has found
itself on the receiving end of a social media backlash. Following the 2013
attack on the Westgate Mall, in which 68 people lost their lives, the Sunday
Nation was excoriated
and forced to apologize after it published on its front page a gory photo of bloodied and
screaming woman. Three years ago, the government arrested and threatened to
prosecute bloggers for circulating pictures of dead Kenyan soldiers following
the overrunning of their base in Somalia.
While extremely sensitive, it is not one that lessens Kenyans’ general commitment
to press freedom. Fifteen months after Westgate, many were outraged when the
government rammed
through Parliament amendments to security laws that included a prohibition on the
publication or broadcast of images of terror victims without the consent of both
the police and the victim. The law was later struck down by the courts which ruled it infringed on the
constitutional guarantees of press freedom and freedom of expression.
Media editors also have to contend with evolving community standards and
attitudes as well as social media’s empowering of audiences to forcefully
express themselves. Two decades ago, in what seems a completely different era,
graphic images of victims of the 1998 bombing of the of the US Embassy in
Nairobi in which 224 people died, caused little uproar. And while pictures
of victims of state violence do not always attract the
same umbrage, the traumatizing and, in many ways, uniting effect of terror
incidents gives their expression particular force.
It is within this context that we must understand the reaction to the
publication of the photographs. The New York Times claims it was motivated by the
need “to give our readers around the world a clear picture of the horror of an
attack like this”. However, many are not buying it, pointing out that, despite
the paper’s assertions to the contrary, similar standards are rarely applied to
white and US victims. In a telling interview
explaining the Dusit D2 decision, Meaghan Looram, the NYT’s
director of photography admitted that she could not recall seeing pictures of
victims of school shootings in the US and the need to abandon historical
notions that “may have applied different standards to material from locations
broadly thought to be remote or “over there,” rather than close to home.”
But it is these same racist notions that have seen the paper refuse to bring
down the offending photograph despite over
14,000 people signing a petition for it to do so. That this
demand is being made by ordinary Kenyans is what should matter. It is not about
censorship by the state. Rather, Kenyans are demanding that the folks
at the New York Times choose humanity over their editorial policy. It should be
a no-brainer.
The stand-off
with the MCK is thus unnecessary. But it does have rather toxic implications for
press freedom in Kenya. Not only does it make it easier for the state to
isolate and target the foreign press corps, something it
has previously done, but giving the government a taste of the power to decide what content
media can carry could whet its appetite for more. As was demonstrated with the
2014 security laws amendments and again with a
shutdown of local private broadcasters for a week last year, this
is no idle threat.
So, for the sake of humanity and press freedom, the Times must take down
the photo. And an apology would be nice too.